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Unique Chords: 7-10
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papisenior
Oh_Happy_Day - mélodie (voix)
papisenior
2:51 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 1 5 97%
Baryton Bass 7 0 0 5 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 8 0 1 5 97%
Baryton Bass 7 0 0 5 97%
Soprano Treble 9 2 1 5 97%
Voix Treble 10 0 2 6 68%
 
III- Missa Brevis -J. Haydn (et piano) Sanctus
papisenior
0:37 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 16 5 6 95%
Bass 16 1 5 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 16 5 6 95%
Bass 16 1 5 6 100%
Basse Bass 15 0 5 6 97%
Tenor Treble 10 0 2 5 97%
Alto Treble 12 0 2 5 90%
Soprano Treble 10 0 2 5 87%
 
Ouvre mes yeux, Seigneur
papisenior
0:58 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 6 1 2 5 100%
Bass 8 0 2 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgue Treble 6 1 2 5 100%
Bass 8 0 2 5 100%
Basson Treble 9 0 2 5 100%
Flûte Treble 9 0 2 5 100%
Violoncelle Bass 9 0 2 5 100%
 
Quien Fuera Como El jazmin - Etude chorale - Tutti
papisenior
2:48 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Ténor Treble 17 8 6 6 77%
Soprano Treble 16 0 7 5 57%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Ténor Treble 17 8 6 6 77%
Soprano Treble 16 0 7 5 57%
Basse 19 3 4 6 55%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Basse
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Ténor
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Soprano
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%
 
Quién Fuera Como El Jazmín - Alto
papisenior
3:36 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 8 6 6 77%
Bass 21 6 6 6 62%
Sopr. Treble 16 0 7 5 57%
Alto Treble 11 0 3 5 52%